The first thing you notice when you open a canister of
architectural drawings that have been closed for 50 years is the smell. Best I can describe it is that it is a
little like strong candle wax.
This smell is from the resin that coats much of the material in the
Castle Drawing Collection, which dates from 1914 to the 1950s. The resin is embedded in the linen
sheets of many of the sets of plans and also on the waxy tracing paper called
vellum by architects. The resin
attracts dirt and in the case of the vellum has caused deterioration and
brittleness not only in the impregnated papers but in anything around it. All challenging to say the least.
Most
of the sets are bound together by clips.
You know the kind. Punch
them through a hole and then open the two wings to hold the material together. They look like brass, but I don't know what metal they actually are. At any rate when
they oxidize they create a blue crust on the clip. This crust flakes off and embeds in the linen or vellum
staining it a blue-green color. Pretty color, but not so great for the linen and tracing
paper. What to do to keep the crusty bits from scattering everywhere, which is what happens no matter how careful you are. At first I used a very, very soft
brush. It worked but I had to do everything twice. Then I went back to my days
in the museum. The way to clean
linen is to lightly vacuum them through a screen using an up and down motion.
(I talked about this several blogs ago.) You have to use a vacuum with a hepa
filter of course and one that has variable suction speeds. (See blog on vacuums
I have loved) These are costly, but the only way to go. First I vacuum the
front and back of the clip to remove as much of the crust as possible
before touching them. Then with gloves on I carefully removed the clips and
vacuum the holes again. I’m sure a conservator would be horrified, but it
worked. Never use a push and pull method vacuuming you can smudge the ink,
which is embedded in the coating.
That’s only for the linen material. For the vellum and tracing paper you have to use the brush
method. What Waverly Lowe and Tawny Ryan Nelb recommend
in their book Architectural Records is
grating an eraser (buy at Gaylords or Hollinger) and brushing the bits lightly
over the surface. It does work
well - tedious of course. It’s
impossible to get all of the blue stain off of any of the material, but once
you remove the clips it won’t get worse.
If anyone has other ideas about how to deal with this problem I am all
ears or eyes.
No comments:
Post a Comment